In a true man, both must combine

Ah, Ralph Waldo Emerson - weird and wise. HT to Charles Murray. The Conservative from a Lecture delivered at the Masonic Temple, Boston, December 9, 1841. Not quite the dichotomy of Apollo and Dionysus, but close. Conservative and Progressive. Republican and Democrat. The alignments are not perfect by any means but they are instructive.

Right now, using Emerson's system, we really don't have any Conservatives in play. Everyone, Republican and Democrat, are about Reform. The emotional turmoil is not that arising from contention between those wanting to preserve and those wanting to change. It is between two competing factions with different visions of change. It would be nice to have at least a few things in place long enough to see whether they work and then change only when necessary. Instead we seem in a constant state of change with little regard as to what works and what does not. We only have a choice of Reform, regardless whether it results in betterment.

Emerson's language is beautiful though perhaps seen by some as archaic. But the ideas are perfectly contemporary and emblematic of our constant struggle and toil in the political arena. I have highlighted the passages that seem most pertinent at this very moment, but the wisdom is in the headline - In a true man, both must combine.

There is always a certain meanness in the argument of conservatism, joined with a certain superiority in its fact. It affirms because it holds. Its fingers clutch the fact, and it will not open its eyes to see a better fact. The castle, which conservatism is set to defend, is the actual state of things, good and bad. The project of innovation is the best possible state of things. Of course, conservatism always has the worst of the argument, is always apologizing, pleading a necessity, pleading that to change would be to deteriorate; it must saddle itself with the mountainous load of the violence and vice of society, must deny the possibility of good, deny ideas, and suspect and stone the prophet; whilst innovation is always in the right, triumphant, attacking, and sure of final success. Conservatism stands on man's confessed limitations; reform on his indisputable infinitude; conservatism on circumstance; liberalism on power; one goes to make an adroit member of the social frame; the other to postpone all things to the man himself; conservatism is debonnair and social; reform is individual and imperious. We are reformers in spring and summer; in autumn and winter, we stand by the old; reformers in the morning, conservers at night. Reform is affirmative, conservatism negative; conservatism goes for comfort, reform for truth. Conservatism is more candid to behold another's worth; reform more disposed to maintain and increase its own. Conservatism makes no poetry, breathes no prayer, has no invention; it is all memory. Reform has no gratitude, no prudence, no husbandry. It makes a great difference to your figure and to your thought, whether your foot is advancing or receding. Conservatism never puts the foot forward; in the hour when it does that, it is not establishment, but reform. Conservatism tends to universal seeming and treachery, believes in a negative fate; believes that men's temper governs them; that for me, it avails not to trust in principles; they will fail me; I must bend a little; it distrusts nature; it thinks there is a general law without a particular application, — law for all that does not include any one. Reform in its antagonism inclines to asinine resistance, to kick with hoofs; it runs to egotism and bloated self-conceit; it runs to a bodiless pretension, to unnatural refining and elevation, which ends in hypocrisy and sensual reaction.

And so whilst we do not go beyond general statements, it may be safely affirmed of these two metaphysical antagonists, that each is a good half, but an impossible whole. Each exposes the abuses of the other, but in a true society, in a true man, both must combine. Nature does not give the crown of its approbation, namely, beauty, to any action or emblem or actor, but to one which combines both these elements; not to the rock which resists the waves from age to age, nor to the wave which lashes incessantly the rock, but the superior beauty is with the oak which stands with its hundred arms against the storms of a century, and grows every year like a sapling; or the river which ever flowing, yet is found in the same bed from age to age; or, greatest of all, the man who has subsisted for years amid the changes of nature, yet has distanced himself, so that when you remember what he was, and see what he is, you say, what strides! what a disparity is here!

The speech is worth reading in whole with much to mull and consider.