The old house with its Venetian family portraits and tarnished silver radiates an absolute calm. Greek terra cottas lie piled in dusty cupboards – broken jars and oil-dips, all relics of the plough from this fertile valley.
We dine late by candlelight; light almost as yellow as the moon outside the great windows of the dining-room; portraits of Venetian ancestors stare pallidly at us from the walls in their mouldering frames. The floors are full of dry-rot.
After the dinner the Count takes up a branch of candles and leads the way to the wine-covered terrace by the white southern wall on which the dapple of leaves silhouetted by moonlight stand out unmoving. Here we sit and talk away the greater part of the night. In the silences between our sentences we can hear the oranges dropping from the trees in the orchard – dull single thuds upon the mossy ground. The marble table is wet with dew. An owl cries, and the watchdogs at the lodge grumble and shake their chains.
Sunday, March 15, 2020
In the silences between our sentences we can hear the oranges dropping from the trees in the orchard
From Prospero's Cell: A Guide To The Landscape And Manners of The Island Of Corfu by Lawrence Durrell.
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