Thursday, May 24, 2018

"I spit me of Sovietski!"

From The Clicking of Cuthbert by P.G. Wodehouse, 1922. In installments.
"Oh, Mr. Brusiloff," said Mrs. Smethurst, "I do so want you to meet Mr. Raymond Parsloe Devine, whose work I expect you know. He is one of our younger novelists."

The distinguished visitor peered in a wary and defensive manner through the shrubbery, but did not speak. Inwardly he was thinking how exactly like Mr. Devine was to the eighty-one other younger novelists to whom he had been introduced at various hamlets throughout the country. Raymond Parsloe Devine bowed courteously, while Cuthbert, wedged into his corner, glowered at him.

"The critics," said Mr. Devine, "have been kind enough to say that my poor efforts contain a good deal of the Russian spirit. I owe much to the great Russians. I have been greatly influenced by Sovietski."

Down in the forest something stirred. It was Vladimir Brusiloff's mouth opening, as he prepared to speak. He was not a man who prattled readily, especially in a foreign tongue. He gave the impression that each word was excavated from his interior by some up-to-date process of mining. He glared bleakly at Mr. Devine, and allowed three words to drop out of him.

"Sovietski no good!"

He paused for a moment, set the machinery working again, and delivered five more at the pithead.

"I spit me of Sovietski!"

There was a painful sensation. The lot of a popular idol is in many ways an enviable one, but it has the drawback of uncertainty. Here today and gone tomorrow. Until this moment Raymond Parsloe Devine's stock had stood at something considerably over par in Wood Hills intellectual circles, but now there was a rapid slump. Hitherto he had been greatly admired for being influenced by Sovietski, but it appeared now that this was not a good thing to be. It was evidently a rotten thing to be. The law could not touch you for being influenced by Sovietski, but there is an ethical as well as a legal code, and this it was obvious that Raymond Parsloe Devine had transgressed. Women drew away from him slightly, holding their skirts. Men looked at him censoriously. Adeline Smethurst started violently, and dropped a tea-cup. And Cuthbert Banks, doing his popular imitation of a sardine in his corner, felt for the first time that life held something of sunshine.

Raymond Parsloe Devine was plainly shaken, but he made an adroit attempt to recover his lost prestige.

"When I say I have been influenced by Sovietski, I mean, of course, that I was once under his spell. A young writer commits many follies. I have long since passed through that phase. The false glamour of Sovietski has ceased to dazzle me. I now belong whole-heartedly to the school of Nastikoff."

There was a reaction. People nodded at one another sympathetically. After all, we cannot expect old heads on young shoulders, and a lapse at the outset of one's career should not be held against one who has eventually seen the light.

"Nastikoff no good," said Vladimir Brusiloff, coldly. He paused, listening to the machinery.

"Nastikoff worse than Sovietski."

He paused again.

"I spit me of Nastikoff!" he said.

This time there was no doubt about it. The bottom had dropped out of the market, and Raymond Parsloe Devine Preferred were down in the cellar with no takers. It was clear to the entire assembled company that they had been all wrong about Raymond Parsloe Devine. They had allowed him to play on their innocence and sell them a pup. They had taken him at his own valuation, and had been cheated into admiring him as a man who amounted to something, and all the while he had belonged to the school of Nastikoff. You never can tell. Mrs. Smethurst's guests were well-bred, and there was consequently no violent demonstration, but you could see by their faces what they felt. Those nearest Raymond Parsloe jostled to get further away. Mrs. Smethurst eyed him stonily through a raised lorgnette. One or two low hisses were heard, and over at the other end of the room somebody opened the window in a marked manner.

Raymond Parsloe Devine hesitated for a moment, then, realizing his situation, turned and slunk to the door. There was an audible sigh of relief as it closed behind him.

Vladimir Brusiloff proceeded to sum up.

"No novelists any good except me. Sovietski—yah! Nastikoff—bah! I spit me of zem all. No novelists anywhere any good except me. P. G. Wodehouse and Tolstoi not bad. Not good, but not bad. No novelists any good except me."

And, having uttered this dictum, he removed a slab of cake from a near-by plate, steered it through the jungle, and began to champ.

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