Wednesday, November 3, 2010

New perspectives on reality based on information mediated by symbols

From Mihali Csikszentmihalyi's Creativity.
It seems that every species of living organism, except for us humans, understands the world in terms of more or less built-in responses to certain types of sensations. Plants turn toward the sun. There are amoebas sensitive to magnetic attraction that orient their bodies toward the North pole. Baby indigo buntings learn the patterns of the stars as they look out of their nests and then are able to fly great distances at night without losing their way. Bats respond to sounds, sharks to smell, and birds of prey have incredibly developed vision. Each species experiences and understands its environment in terms of the information its sensory equipment is programmed to process.

The same is true for humans. But in addition to the narrow windows on the world our genes have provided, we have managed to open up new perspectives on reality based on information mediated by symbols. Perfect parallel lines do not exist in nature, but by postulating their existence Euclid and his followers could build a system for representing spatial relations that is much more precise than what the unaided eye and brain can achieve. Different as they are from each other, lyric poetry and magnetic resonance spectroscopy are both ways to make accessible information that otherwise we would never have an inkling about.

Knowledge mediated by symbols is extrasomatice; it is not transmitted through the chemical codes inscribed in our chromosomes but must be intentionally passed on and learned. It is this extrasomatic information that makes up what we call a culture. And the knowledge conveyed by symbols is bundled up in discrete domains - geometry, music, religion, legal systems, and so on. Each domain is made up of its own symbolic elements, its own rules, and generally has its own system of notation. In many ways, each domain describes an isolated little world in which a person can think and act with clarity and concentration.

The existence of domains is perhaps the best evidence of human creativity. The fact that calculus and Gregorian chants exist means that we can experience patterns of order that were not programmed into our genes by biological evolution. By learning the rules of a domain, we immediately step beyond the boundaries of biology and enter the realm of cultural evolution. Each domain expands the limitations of individuality and enlarges our sensitivity and ability to relate to the world. Each person is surrounded by an almost infinite number of domains that are potentially able to open up new worlds and give new powers to those who learn their rules. Therefore, it is astounding how few of us bothers to invest enough mental energy to learn the rules of even one of these domains, and live instead exclusively within the constraints of biological existence.

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