Friday, February 28, 2025

Envoys From Alexandria By C.P. Cavafy

Envoys From Alexandria
By C.P. Cavafy
Translated by Rae Dalven

They had not seen, for ages, such lovely gifts in Delphi 
as these which had been sent by the two brothers, 
the two rival Ptolemaic kings. After they had received 
the gifts, however, the priests were uneasy about the oracle. 
They will need all their experience to compose with astuteness, 
which of the two, which of such two will be displeased. 
And they sit in council in secret at night 
and discuss the family affairs of the Lagidae. 

But see, the envoys have come back. They are saying farewell. 
They are returning to Alexandria, they say. They do not seek 
any oracle whatever. And the priests hear this with joy 
(it is understood they keep the remarkable gifts), 
but they are also bewildered in the extreme, 
not understanding what this sudden indifference means. 
For they are unaware that yesterday grave news reached the envoys. 
The oracle was pronounced in Rome; the division took place there. 
 

The Automobile by Percy MacKaye

The Automobile 
by Percy MacKaye

Fluid the world flowed under us: the hills
Billow on billow of umbrageous green
Heaved us, aghast, to fresh horizons, seen
One rapturous instant, blind with flash of rills

And silver-rising storms and dewy stills
Of dripping boulders, till the dim ravine
Drowned us again in leafage, whose serene
Coverts grew loud with our tumultuous wills.

Then all of Nature’s old amazement seemed
Sudden to ask us: “Is this also Man?
This plunging, volant, land-amphibian
What Plato mused and Paracelsus dreamed?
Reply!” And piercing us with ancient scan,
The shrill, primeval hawk gazed down — and screamed.

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 








Click to enlarge.


Data Talks

 

House, 2016 by Philip Geiger

House, 2016 by Philip Geiger (America, 1956 - )
























Click to enlarge.

Thursday, February 27, 2025

And Yet Fools Say by George S. Holmes

And Yet Fools Say 
by George S. Holmes

He captured light and caged it in a glass,
Then harnessed it forever to a wire;
He gave men robots with no backs to tire
In bearing burdens for the toiling mass.

He freed the tongue in wood and wax and brass,
Imbued dull images with motions’ fire,
Transmuted metal into human choir —
These man-made miracles he brought to pass.

Bulbs banish night along the Great White Way,
Thin threads of copper throb with might unseen;
On silver curtains shadow-actors play
That walk and talk from magic-mouthed machine,

While continents converse through skies o’erhead —
And yet fools say that Edison is dead!

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

Reflections, 1916 by Harold Harvey

Reflections, 1916 by Harold Harvey (England, 1874-1941) 

























Click to enlarge

Wednesday, February 26, 2025

The Sack of Old Panama by Dana Burnet

The Sack of Old Panama
by Dana Burnet

They sat in a tavern in wicked Port Royal,
Grim Morgan and Brodley and one or two others,
A flagon of rum on the table between them
And villainy binding them closer than brothers.

And Morgan dropped hint of Old Panama’s riches;
Said little, but said it with evil suggestion,
Till Brodley swayed up, with his glass in his fingers,
And swore that a Don was an aid to digestion!

But Morgan said, idly, “’ would be a long journey” —
Cried Brodley: “What odds, when the end of it’s yellow?
I mind me the pockets of dead men I lightened
That year of our Lord when we sacked Porto Bello!”

Then Morgan stood straight, with his face of dark smiling:
“I'll rake them once more — then I’ll stop all such capers;
Come home and be Governor! Aye, but I will, though,
And hang every master that can’t show his papers.

“I'll have me a house that will front the blue water,
And devil a pirate shall sit at my table;
But now, and once more, I’ve a will to go courting,
To dance with a Don while I’m hearty and able.”

He laughed and drew breath; and they tipped up the flagon,
And fashioned his words in a stormy sea ditty.
Then swiftly fell silent, with dream-darkened faces,
And thought of their hands at the throat of a city....

* * *

The sea was as blue as the breast of the morning
When Morgan went down to his last buccaneering;
His sails were like low-fallen clouds in the distance,
Blown onward, and fading, and slow disappearing.

And so he put out — and was part of the distance,
A blur of slow wings on the blue ring of heaven,
With two thousand devils adream below hatches,
And steel, and dry powder, and ships thirty-seven.

And all down the decks there was talk of the venture —
How Morgan had wind of unthinkable treasure;
How Panama’s streets were the sweetness of silver,
Where men in gold gutters threw pearls for their pleasure!

And Brodley went forward and took San Lorenzo,
With patience and passion, as men take a woman,
And Morgan came up, with his face of dark smiling,
And saw the sword’s kiss on the heart of the foeman.

* * *

The dawn saw them marching — twelve hundred brown devils,
With steel and dry powder and gay crimson sashes;
And so they put on... and were dead in the jungle
Of great shaking fevers and little barbs’ gashes.

* * *

The tenth day was sleeping in tents of red splendor
When Morgan crept up to the walls of the city —
Behind him his madmen came shouting and sobbing,
And mouthing the words of an old pirate ditty.

Their souls were in tatters! And still they came singing,
Till all the hushed foreland was waked from its dreaming,
And high in their towers the sweet bells of vesper
Were drowned and made dim by the mad, measured screaming.

A gun roared, and deep in the heart of the city
Wild pulses began.... A young mother ran crying,
“The English are on us!” Swords silvered the twilight,
And priests turned their books to the prayers for the dying.

Then out from his gates came the desperate Spaniard;
The swords were like flame, and the towers were ringing!
But Morgan’s men waited; lay down with choked muzzles,
And dealt out their death to the pulse of their singing.

Their volleys belched forth like a chorus of thunder,
A great whining Song that went on without pity,
Till night drew her veil ... then they rose from their bellies,
And spat at the dead — and went into the city.

* * *

The Governor sat in his window at evening,
His window that looked on the star-furrowed water;
A ship had come into the clasp of the harbor,
Clear-lined from the darkness the bright moon had wrought her.

* * *

He clapped his fat hands; and a black lad stood bowing.
“Bring candles — and rum,” said the Governor, grinning.
And then he sat down with his boots on the table,
And dozed until Morgan should come from his sinning....

He came, with an oath, in his great greasy sea-boots,
A sash at his waist, and a pistol stuck in it,
His beard to his throat, and his little eyes leering —
“Your voice,” said Sir Thomas, “is sweet as a linnet!”

“My pockets are sweeter,” said Morgan; and, winking,
He drew from his sash a creased bag of black leather,
Unloosed it and spilled on the bare wooden table
Red jewels that kindled like swords struck together!

* * *

The jewels lay warm in the dusk of the candles,
Like soulless red eyes that no tears might set blinking...
And Thomas Sir Modyford crooked his hot fingers,
And chose the King’s profit, whilst Morgan sat drinking.

“Sweet baubles! Sweet pretties! They’ve blinded my candles.
They’re flame, Pirate, flame! See my hand, how they’ve burned it.”
He laughed, and drew forth from his pocket a parchment —
“It’s yours, by our bargain; and damme, you’ve earned it.”

They spread out the parchment between them. Said Morgan:
“God’s name! I’m respectable!” “Aye,” said Sir Thomas,
“ Ye’re Leftenant-Governor, lately appointed
By will of the Crown — in accord with our promise!”

* * *

Day broke... and the throat of the harbor was clouded
With sail. ”Twas the fleet of the pirates returning —
But down their grim ports no black muzzles peered frowning,
Nor naked steel leaped for the dawn to set burning.

They came as calm merchantmen, shriven with morning
(For in the King’s harbors the law is hard-fisted!)
And so they stole in, like whipped hounds to a kennel,
Their loosed anchors lolling like tongues when they listed.

The candles were dead in the Governor’s chamber;
And in at the window the young light came creeping —
Asprawl at the table sat Morgan the Pirate,
And under his boot-heels Sir Thomas lay sleeping.

The anchors splashed down in the ruffled blue water,
The great wings were furled with a rattle of gearing;
But Morgan sat clutching a folded gray parchment,
A glass at his lips, and his little eyes leering. 

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

My Studio, 1952 by John Koch

My Studio, 1952 by John Koch (America, 1909-1978)
















Click to enlarge.






Tuesday, February 25, 2025

The Mountain Whippoorwill by Stephen Vincent Benรฉt

The Mountain Whippoorwill
Or, How Hill-Billy Jim Won The Great Fiddler’s Prize
(A Georgia Romance)
by Stephen Vincent Benรฉt

Up in the mountains, it's lonesome all the time,
(Sof win' slewin' thu' the sweet-potato vine).

Up in the mountains, it's lonesome for a child,
(Whippoorwills a-callin' when the sap runs wild).

Up in the mountains, mountains in the fog,
Everything as lazy as an old houn' dog.

Born in the mountains, never raised a pet,
Don't want nuthin' an' never got it yet.

Born in the mountains, lonesome-born,
Raised runnin' ragged thu' the cockleburrs and corn.

Never knew my pappy, mebbe never should.
Think he was a fiddle made of mountain laurel-wood.

Never had a mammy to teach me pretty-please.
Think she was a whippoorwill, a-skitin' thu' the trees.

Never had a brother ner a whole pair of pants,
But when I start to fiddle, why, yuh got to start to dance!

Listen to my fiddle Kingdom Come—Kingdom Come!
Hear the frogs a-chunkin’ "Jug o’ rum, Jug o' rum!"
Hear that mountain-whippoorwill be lonesome in the air.
An’ I’ll tell yuh how I traveled to the Essex County Fair.

Essex County has a mighty pretty fair,
All the smarty fiddlers from the South come there.

Elbows flyin' as they rosin up the bow
For the First Prize Contest in the Georgia Fiddlers' Show.

Old Dan Wheeling, with his whiskers in his ears,
King-pin fiddler for nearly twenty years.

Big Tom Sargent, with his blue wall-eye,
An' Little Jimmy Weezer that can make a fiddle cry.

All sittin’ roun’, spittin’ high an’ struttin’? proud,
(Listen, little whippoorwill, yuh better bug yore eyes!)
Tun-a-tun-a-tunin’ while the jedges told the crowd
Them that got the mostest claps'd win the bestest prize.

Everybody waitin’for the first tweedle-dee,
When in comes a-stumblin'—hill-billy me!

Bowed right pretty to the jedges an' the rest,
Took a silver dollar from a hole inside my vest,

Plunked it on the table an' said, "There's my callin' card!
An' anyone that licks me well, he's got to fiddle hard!"

Old Dan Wheeling, he was laughin' fit to holler,
Little Jimmy Weezer said, ''There's one dead dollar!"

Big Tom Sargent had a yaller-toothy grin,
But I tucked my little whippoorwill spang underneath my chin,
An' petted it an' tuned it till the jedges said, "Begin!"

Big Tom Sargent was the first in line;
He could fiddle all the bugs off a sweet-potato vine.

He could fiddle down a possum from a mile-high tree.
He could fiddle up a whale from the bottom of the sea.

Yuh could hear hands spankin' till they spanked each other raw,
When he finished variations on "Turkey in the Straw."

Little Jimmy Weezer was the next to play;
He could fiddle all night, he could fiddle all day.

He could fiddle chills, he could fiddle fever,
He could make a fiddle rustle like a lowland river.

He could make a fiddle croon like a lovin' woman.
An’ they clapped like thunder when he'd finished strummin'.

Then came the ruck of the bob-tailed fiddlers,
The let's go-easies, the fair-to-middlers.

They got their claps an' they lost their bicker,
An' settled back for some more corn-licker.

An' the crowd was tired of their no-count squealing,
When out in the center steps Old Dan Wheeling.

He fiddled high and he fiddled low,
(Listen, little whippoorwill; yuh got to spread yore wings!)
He fiddled with a cherrywood bow.
(Old Dan Wheelings got bee-honey in his strings.)

He fiddled the wind by the lonesome moon,
He fiddled a most almighty tune.

He started fiddling like a ghost,
He ended fiddling like a host.

He fiddled north an' he fiddled south,
He fiddled the heart right out of yore mouth.

He fiddled here an' he fiddled there.
He fiddled salvation everywhere.

When he was finished, the crowd cut loose,
(Whippoorwill, they's rain on yore breast.)
An’ I sat there wondering "What's the use?"
(Whippoorwill, fly home to yore nest.)

But I stood up pert an' I took my bow,
An' my fiddle went to my shoulder, so.

An' they wasn't no crowd to get me fazed
But I was alone where I was raised.

Up in the mountains, so still it makes yuh skeered.
Where God lies sleepin' in his big white beard.

An" I heard the sound of the squirrel in the pine,
An' I heard the earth a-breathin' thu' the long night-time.

They've fiddled the rose, an' they've fiddled the thorn,
But they haven't fiddled the mountain-corn.

They've fiddled sinful an' fiddled moral,
But they haven't fiddled the breshwood-laurel.

They've fiddled loud, an' they've fiddled still,
But they haven't fiddled the whippoorwill.

I started off with a dump-diddle-dump,
(Oh, hell’s broke loose in Georgia!)
Skunk-cabbage growin' by the bee-gum stump,
(Whippoorwill, yo're singin’ now!)

Oh, Georgia booze is mighty fine booze,
The best yuh ever poured yuh,
But it eats the soles right offen yore shoes,
For Hell's broke loose in Georgia.

My mother was a whippoorwill pert,
My father, he was lazy,
But I'm Hell broke loose in a new store shirt
To fiddle all Georgia crazy.

Swing yore partners up an' down the middle!
Sashay now—oh, listen to that fiddle!
Flapjacks flippin' on a red-hot griddle,
An' hell broke loose,
Hell broke loose,
Fire on the mountains snakes in the grass.
Satan's here a-bilin'—oh, Lordy, let him pass!
Go down Moses, set my people free,
Pop goes the weasel thu' the old Red Sea!
Jonah sittin' on a hickory-bough,
Up jumps a whale—an' where's yore prophet now?
Rabbit in the pea-patch, possum in the pot,
Try an' stop my fiddle, now my fiddle's gettin' hot!
Whippoorwill, singin' thu' the mountain hush,
Whippoorwill, shoutin' from the burnin' bush,
Whippoorwill, cryin' in the stable-door,
Sing to-night as yuh never sang before!
Hell's broke loose like a stompin' mountain-shoat,
Sing till yuh bust the gold in yore throat!
Hell's broke loose for forty miles aroun'
Bound to stop yore music if yuh don't sing it down.
Sing on the mountains, little whippoorwill,
Sing to the valleys, an' slap 'em with a hill,
For I'm struttin' high as an eagle's quill,
An' Hell's broke loose,
Hell's broke loose,
Hell's broke loose in Georgia!

They wasn't a sound when I stopped bowin',
(Whippoorwill, yuh can sing no more.)
But, somewhere or other, the dawn was growing
(Oh, mountain whippoorwill!)

An' I thought, "I've fiddled all night an' lost.
Yo're a good hill-billy, but yuh've been bossed.

So I went to congratulate old man Dan,
—But he put his fiddle into my han'—
An' then the noise of the crowd began.

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

Paddington Station at Night, 1992 by Doreen Fletcher

Paddington Station at Night, 1992 by Doreen Fletcher (England, 1952 - )






















Click to enlarge.

Monday, February 24, 2025

The Raven By Edgar Allan Poe

The Raven
By Edgar Allan Poe

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!
 

History

 

An Insight

 

I see wonderful things

 

Data Talks

 

Offbeat Humor

 




























Click to enlarge.

Data Talks

 

Interior of the Artist's House, 1918 by Lรฉon de Smet

Interior of the Artist's House, 1918 by Lรฉon de Smet (Belgium, 1881-1966) 





















Click to enlarge.

Sunday, February 23, 2025

Pickett's Charge by Stephen Vincent Benรฉt

from John Brown's Body 
by Stephen Vincent Benรฉt

Pickett's Charge

The cannonade fell still.  All along the fish-hook line,
The tired men stared at the smoke and waited for it to clear;
The men in the centre waited, their rifles gripped in their hands,
By the trees of the riding fate, and the low stone wall, and the
  guns.

These were Hancock's men, the men of the Second Corps,
Eleven States were mixed there, where Minnesota stood
In battle-order with Maine, and Rhode Island beside New York,
The metals of all the North, cooled into an axe of war.

The strong sticks of the North, bound into a fasces-shape,
The hard winters of snow, the wind with the cutting edge,
And against them came that summer that does not die with the year,
Magnolia and honeysuckle and the blue Virginia flag.

Tall Pickett went up to Longstreet--his handsome face was drawn.
George Pickett, old friend of Lincoln's in days gone by with the
  blast,
When he was a courteous youth and Lincoln the strange shawled man
Who would talk in a Springfield street with a boy who dreamt of a
sword.

Dreamt of a martial sword, as swords are martial in dreams,
And the courtesy to use it, in the old bright way of the tales.
Those days are gone with the blast.  He has his sword in his hand.
And he will use it today, and remember that using long.

He came to Longstreet for orders, but Longstreet would not speak.
He saw Old Peter's mouth and the thought in Old Peter's mind.
He knew the task that was set and the men that he had to lead
And a pride came into his face while Longstreet stood there dumb.

"I shall go forward, sir," he said and turned to his men.
The commands went down the line.  The grey ranks started to move.
Slowly at first, then faster, in order, stepping like deer,
The Virginians, the fifteen thousand, the seventh wave of the tide.

There was a death-torn mile of broken ground to cross,
And a low stone wall at the end, and behind it the Second Corps,
And behind that force another, fresh men who had not yet fought.
They started to cross that ground.  The guns began to tear them.

From the hill they say that it seemed more like a sea than a wave,
A sea continually torn by stones flung out of the sky,
And yet, as it came, still closing, closing and rolling on,
As the moving sea closes over the flaws and rips of the tide.

You could mark the path that they took by the dead that they left
  behind,
Spilled from that deadly march as a cart spills meal on a road,
And yet they came on unceasing, the fifteen thousand no more,
And the blue Virginia flag did not fall, did not fall, did not fall.

They halted but once to fire as they came.  Then the smoke closed
  down
And you could not see them, and then, as it cleared again for a
  breath,
They were coming still but divided, gnawed at by blue attacks,
One flank half-severed and halted, but the centre still like a tide.

Cushing ran down the last of his guns to the battle-line.
The rest had been smashed to scrap by Lee's artillery fire.
He held his guts in his hand as the charge came up to the wall
And his gun spoke out for him once before he fell to the ground.

Armistead leapt the wall and laid his hand on the gun,
The last of the three brigadiers who ordered Pickett's brigades,
He waved his hat on his sword and "Give 'em the steel!" he cried,
A few men followed him over.  The rest were beaten or dead.

A few men followed him over.  There had been fifteen thousand
When that sea began its march toward the fish-hook ridge and the
  wall.
So they came on in strength, light-footed, stepping like deer,
So they died or were taken.  So the iron entered their flesh.

Lee, a mile away, in the shade of a little wood,
Stared, with his mouth shut down, and saw them go and be slain,
And then saw for a single moment, the blue Virginia flag
Planted beyond the wall, by that other flag that he knew.

The two flags planted together, one instant, like hostile flowers.
Then the smoke wrapped both in a mantle--and when it had blown away,
Armistead lay in his blood, and the rest were dead or down,
And the valley grey with the fallen and the wreck of the broken wave.

Pickett gazed around him, the boy who had dreamt of a sword
And talked with a man named Lincoln.  The sword was still in his
  hand.
He had gone out with fifteen thousand.  He came back to his lines
  with five.
He fought well till the war was over, but a thing was cracked in his
  heart.

History

 

A Insight

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

Maine Surf, 1948 by John Philip Falter

Maine Surf, 1948 by John Philip Falter (America, 1910-1982) 


























Click to enlarge.

Saturday, February 22, 2025

Quivira by Arthur Guiterman

Quivira
by Arthur Guiterman

Francisco Coronado rode forth with all his train,
Eight hundred savage bowmen, three hundred spears of Spain,
To seek the rumored glory that pathless deserts hold —
The city of Quivira whose walls are rich with gold.

Oh, gay they rode with plume on crest and gilded spur at heel,
With gonfalon of Aragon and banner of Castile!
While High Emprise and Joyous Youth, twin marshals of the throng,
Awoke Sonora's mountain peaks with trumpet-note and song.

Beside that brilliant army, beloved of serf and lord,
There walked as brave a soldier as ever smote with sword,
Though nought of knightly harness his russet gown revealed —
The cross he bore as weapon, the missal was his shield.

But rugged oaths were changed to prayers, and angry hearts grew tame,
And fainting spirits waxed in faith where Fray Padilla came;
And brawny spearmen bowed their heads to kiss the helpful hand
Of him who spake the simple truth that brave men understand.

What pen may paint their daring — those doughty cavaliers!
The cities of the Zuni were humbled by their spears.
Wild Arizona's barrens grew pallid in the glow
Of blades that won Granada and conquered Mexico.

They fared by lofty Acoma; their rally-call was blown
Where Colorado rushes down through Godhewn walls of stone;
Still, North and East, where deserts spread, and treeless prairies rolled,
A Fairy City lured them on with pinnacles of gold.

Through all their weary marches toward that flitting goal
They turned to Fray Padilla for aid of heart and soul.
He bound the wounds that lance-thrust and flinty arrow made;
He cheered the sick and failing; above the dead he prayed.

Two thousand miles of war and woe behind their banners lay:
And sadly fever, drought and toil had lessened their array,
When came a message fraught with hope to all the steadfast band:
" Good tidings from the northward, friends! Quivira lies at hand! "

How joyously they spurred them! How sadly drew the rein!
There shone no golden palace, there blazed no jewelled fane.
Rude tents of hide of bison, dog-guarded, met their view —
A squalid Indian village; the lodges of the Sioux!

Then Coronado bowed his head. He spake unto his men:
" Our quest is vain, true hearts of Spain! Now ride we home again.
And would to God that I might give that phantom city's pride
In ransom for the gallant souls that here have sunk and died! "

Back, back to Compostela the wayworn handful bore;
But sturdy Fray Padilla took up the quest once more.
His soul still longed for conquest, though not by lance and sword;
He burned to show the Heathen the pathway to the Lord.

Again he trudged the flinty hills and dazzling desert sands,
And few were they that walked with him, and weaponless their hands —
But and the trusty man-at-arms, Docampo, rode him near
Like Great Heart, guarding Christian's way through wastes of Doubt and Fear.

Where still in silken harvests the prairie-lilies toss,
Among the dark Quiviras Padilla reared his cross.
Within its sacred shadow the warriors of the Kaw
In wonder heard the Gospel of Love and Peace and Law.

They gloried in their Brown-robed Priest; and oft in twilight's gold
The warriors grouped, a silent ring, to hear the tale he told,
While round the gentle man-at-arms their lithe-limbed children played
And shot their arrows at his shield and rode his guarded blade.

When thrice the silver crescent had filled its curving shell,
The Friar rose at dawning and spake his flock farewell:
" — And if your Brothers northward be cruel, as ye say,
My Master bids me seek them — and dare I answer " Nay"? "

Again he strode the path of thorns; but ere the evening star
A savage cohort swept the plain in paint and plumes of war.
Then Fray Padilla spake to them whose hearts were most his own:
" My children, bear the tidings home — let me die here alone. "

He knelt upon the prairie, begirt by yelling Sioux. —
" Forgive them, oh, my Father! they know not what they do! "
The twanging bow-strings answered.
Before his eyes, unrolled
The City of Quivira whose streets are paved with gold.


History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

Data Talks

 

Comedia (Montparnasse's Blues), 1922-1925 by Kees van Dongen

Comedia (Montparnasse's Blues), 1922-1925 by Kees van Dongen (Netherlands, 1877-1968)


























Click to enlarge.

Friday, February 21, 2025

The Cowboy's Lament by Burl Ives

The Cowboy's Lament
by Burl Ives

As I walked out in the streets of Laredo
As I walked out in Laredo one day
I spied a young cowboy all wrapped in white linen
Wrapped in white linen as cold as the clay

I see by your outfit that you are a cowboy
These words he did say as I boldly walked by
Come sit down beside me and hear my sad story
I'm shot in the breast and I know I must die

It was once in the saddle I used to go dashing
Once in the saddle I used to go gay
First down to Rosie's and then to the card house
Got shot in the breast and I'm dying today

Get sixteen gamblers to carry my coffin
Get six jolly cowboys to sing me a song
Take me to the graveyard and lay the sod o'er me
For I'm a young cowboy and know I've done wrong

Get six jolly cowboys to carry my coffin
Get six pretty maidens to sing me a song
Take me to the valley and lay the sod o'er me
For I'm a young cowboy, and know I've done wrong

Oh beat the drum slowly and play the fife lowly
Play the Dead March as they carry me along
Put bunches of roses all over my coffin
Put roses to deaden the clods as they fall

As I walked out in the streets of Laredo
As I walked out in Laredo one day
I spied a young cowboy all wrapped in white linen
Wrapped in white linen as cold as the clay

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

Cottages at Burghclere, 1927-30 by Stanley Spencer

Cottages at Burghclere, 1927-30 by Stanley Spencer (England, 1891-1959)
 










Click to enlarge.

Thursday, February 20, 2025

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

Brampton Bryan by Annie Ovenden

Brampton Bryan by Annie Ovenden (England, 1945 - )





















Click to enlarge.

Wednesday, February 19, 2025

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

The Widower, 1873 by Edward Lamson Henry

The Widower, 1873 by Edward Lamson Henry (America, 1841-1919)





























Click to enlarge.

Tuesday, February 18, 2025

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

The Three Wise Men, 1900 by J.C. Leyendecker

The Three Wise Men, 1900  by J.C. Leyendecker (America, 1874-1951)






























Click to enlarge.

Monday, February 17, 2025

History

 

An Insight

 

I see wonderful things

 

Offbeat Humor

 

Data Talks

 

A View of the Thames from Cockmarsh Hill, Cookham, 1935 by Stanley Spencer

A View of the Thames from Cockmarsh Hill, Cookham, 1935 by Stanley Spencer (England, 1891-1959)




















Click to enlarge.