Mr. Disraeli affords a similar instance of the power of industry and application in working out an eminent public career. His first achievements were, like Bulwer’s, in literature; and he reached success only through a succession of failures. His ‘Wondrous Tale of Alroy’ and ‘Revolutionary Epic’ were laughed at, and regarded as indications of literary lunacy. But he worked on in other directions, and his ‘Coningsby,’ ‘Sybil,’ and ‘Tancred,’ proved the sterling stuff of which he was made. As an orator too, his first appearance in the House of Commons was a failure. It was spoken of as “more screaming than an Adelphi farce.” Though composed in a grand and ambitious strain, every sentence was hailed with “loud laughter.” ‘Hamlet’ played as a comedy were nothing to it. But he concluded with a sentence which embodied a prophecy. Writhing under the laughter with which his studied eloquence had been received, he exclaimed, “I have begun several times many things, and have succeeded in them at last. I shall sit down now, but the time will come when you will hear me.” The time did come; and how Disraeli succeeded in at length commanding the attention of the first assembly of gentlemen in the world, affords a striking illustration of what energy and determination will do; for Disraeli earned his position by dint of patient industry. He did not, as many young men do, having once failed, retire dejected, to mope and whine in a corner, but diligently set himself to work. He carefully unlearnt his faults, studied the character of his audience, practised sedulously the art of speech, and industriously filled his mind with the elements of parliamentary knowledge. He worked patiently for success; and it came, but slowly: then the House laughed with him, instead of at him. The recollection of his early failure was effaced, and by general consent he was at length admitted to be one of the most finished and effective of parliamentary speakers.
Wednesday, October 17, 2012
‘Hamlet’ played as a comedy were nothing to it.
From Self Help by Samuel Smiles.
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