This observation caught my eye.
What is reading, in the last analysis, but an interchange of thought between writer and reader? If the book enters the reader's mind just as it left the writer's -- without any of the additions and modifications inevitably produced by contact with a new body of thought -- it has been read to no purpose. In such cases, of course, the reader is not always to blame. There are books that are always the same -- incapable of modifying or of being modified -- but these do not count as factors in literature. The value of books is proportionate to what may be called their plasticity -- their quality of being all things to all men, of being diversely moulded by the impact of fresh forms of thought. Where, from one cause or the other, this reciprocal adaptability is lacking, there can be no real intercourse between book and reader. In this sense it may be said that there is no abstract standard of values in literature: the greatest books ever written are worth to each reader only what he can get out of them. The best books are those from which the best readers have been able to extract the greatest amount of thought of the highest quality; but it is generally from these books that the poor reader gets least.
There's the rub of it; "The value of books is proportionate to what may be called their plasticity -- their quality of being all things to all men, of being diversely moulded by the impact of fresh forms of thought". Just how is that plasticity conjured such that some certain books are read with constantly renewed delight two, three, six generations after they were written.
No comments:
Post a Comment