Grace looked at her employer over her cup. “Did he jump?” she asked.
Isabel shook her head. “Nobody has any reason to believe that.” She stopped. She had not thought of it at all. People did not kill themselves that way; if you wanted to jump, then you went to the Forth Bridge, or the Dean Bridge if you preferred the ground to the water. The Dean Bridge: Ruthven Todd had written a poem about that, had he not, and had said that its iron spikes “curiously repel the suicides”; curiously, because the thought of minor pain should surely mean nothing in the face of complete destruction. Ruthven Todd, she thought, all but ignored in spite of his remarkable poetry; one line of his, she had once said, was worth fifty lines of McDiarmid, with all his posturing; but nobody remembered Ruthven Todd anymore.
She had seen McDiarmid once, when she was a schoolgirl, and had been walking with her father down Hanover Street, past Milnes Bar. The poet had come out of the bar in the company of a tall, distinguished-looking man, who had greeted her father. Her father had introduced her to both of them, and the tall man had shaken her hand courteously; McDiarmid had smiled, and nodded, and she had been struck by his eyes, which seemed to emit a piercing blue light. He was wearing a kilt, and carrying a small, battered leather briefcase, which he hugged to his chest, as if using it to protect himself against the cold.
Afterwards her father had said: “The best poet and the wordiest poet in Scotland, both together.”
“Which was which?” she had asked.
Monday, April 27, 2020
“Which was which?” she had asked.
The Sunday Philosophy Club by Alexander McCall Smith. Page 14.
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