To summarize, a true classic:Makes sense but I am not sure how one would operationalize it. It is knowledge, probably accurate knowledge but I am not sure that it is useful knowledge.
(1.) Addresses universal and permanent human concerns. A nonfiction book about the rise and fall of 8-track production in Russia probably will not meet this criterion, nor will a novel about the personal rewards of baton twirling.
(2.) Is a game-changer. Sue Grafton’s X is for Xenophobia, for instance, isn’t rocking the boat.
(3.) Influences other great works. The hottest, most acclaimed New York Times Bestseller hasn’t had the time to prove influential on other books, and might lie forgotten in the literary gutter two years down the line.
(4.) Is respected by experts. Tastes change, but over decades and centuries readers and critics tend to refine the canon down to what is truly worthwhile. That’s why we’re still reading Tristram Shandy and have largely forgotten Trinity.
(5.) Challenges as it rewards. The Da Vinci Code is a page-turner, and ice cream is easy to eat. Moby Dick might feel intimidating, but at the end of the day you’ll get something back out of it besides empty literary calories.
Thursday, February 21, 2013
A true classic
From Life's Too Short: How to Read the Right Books by Cody Adams. Reports on Jeffrey Brenzel, Dean of Undergraduate Admissions at Yale University and philosopher and his list of what makes for a great work.
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